Swift viewing the popular life of subliminal influence / Charles R. Acland
Typ materiálu: TextVydavatel: Durham ; London : Duke University Press, 2012Popis: xiv, 307 stran : ilustraceTyp obsahu:- text
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Typ jednotky | Aktuální knihovna | Signatura | Stav | Půjčeno do | Čárový kód | |
---|---|---|---|---|---|---|
Kniha | Centrum dokumentárního filmu Cizojazyčné publikace E821 | E821/1463/ACL (Prohlédnout regál(Otevře se níže)) | Dostupné | E821/1463/ACL |
Procházení Centrum dokumentárního filmu regálů, Shelving location: Cizojazyčné publikace E821 Ukončit prohlížení regálu (Ukončí prohlížení regálu)
E821/1460/BOR Making meaning : inference and rhetoric in the interpretation of cinema / | E821/1461/VAL Biopolitical screens image, power, and the neoliberal brain / | E821/1462/RAN The future of the image / | E821/1463/ACL Swift viewing the popular life of subliminal influence / | E821/1464/TEP Amateur cinema : the rise of North American movie making, 1923-1960 / | E821/1465/NOR A history of television in 100 programmes / | E821/1466/CHI Audio-vision : sound on screen / |
Obsahuje bibliografické poznámky, bibliografii a rejstřík
Since the late 1950s, the idea that hidden, imperceptible messages could influence mass behavior has been debated, feared, and ridiculed. In Swift Viewing, Charles R. Acland reveals the secret story of subliminal influence, showing how an obscure concept from experimental psychology became a mainstream belief about our vulnerability to manipulation in an age of media clutter. He chronicles the enduring popularity of the dubious claims about subliminal influence, tracking their migration from nineteenth-century hypnotism to twentieth-century front-page news. His expansive history of popular concern about subliminal messages shows how the notion of “hidden persuaders” became a vernacular media critique, one reflecting anxiety about a rapidly expanding media environment. Through a deep archive of eclectic examples, including educational technology in the American classroom, mind-control tropes in science fiction, Marshall McLuhan’s media theories, and sensational claims in the late 1950s about subliminal advertising, Acland establishes the subliminal as both a product of and a balm for information overload.
[dukeupress.edu]
Jazykové verze: anglicky
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