000			02075nam a22003377a 4500
001			000687315
003			CZ PrSKC
005			20230521123521.0
008			110901s2000 xxu||||| |||||||| ||eng d
020			_a0631206264 _q(pbk.) _z9780631206262 _q(pbk.)
020			_a0631206256 _z9780631206255
040			_aBOD001 _bcze
072		7	_a791 _xFilm. Cirkus. Lidová zábava _2Konspekt
080			_a(048.8) _2MRF
080			_a(082.21) _2MRF
080			_a791.32.01 _2MRF
245	0	0	_aFilm and theory : _ban anthology / _cedited by Robert Stam and Toby Miller
250			_a1st pub.
260			_aMalden, Mass. : _bBlackwell Publishing, _cc2000
300			_axviii, 862 s.
520			_aThis anthology offers a collection of some of the most provocative and influential writings of film theory from the 1960s and 1970s, along with new directions from the last two decades. An introductory essay to the volume sums up developments in film theory from the beginning up through the 1980s, while introductions to specific groupings of essays summarize debates on those issues. Rather than look at film theory in terms of schools and allegiances, the editors investigate questions and problematics: What is the cinema? What is the cinematic apparatus? How do spectators differ in their desires? What is realism? Is realism desirable? Thus psychoanalysis, reception theory, cognitive theory, race theory, and feminism all provide partially valid answers to the question: What does the spectator want? This anthology's goal is to facilitate a polylogue among the theorists who have ignored or maligned one another and to deprovincialize film theory. Film Theory multiplies the perspectives and positions, the situations and locations, from which film theory is spoken. [amazon.com]
650	0	7	_afilmová teorie _2czenas
650	0	9	_atheory of film _2eczenas
655		7	_aantologie _2czenas
655		7	_astudie _2czenas
700	1		_aStam, Robert, _d1941- _4edt
700	1		_aMiller, Toby, _d1958- _4edt
900			_b14
910			_aBOD001
942			_2ddc _cKNIHA _n0
999			_c902 _d902