| 000 | 01619nam a2200373 i 4500 | ||
|---|---|---|---|
| 001 | ebr11082327 | ||
| 003 | CZ PrNK | ||
| 005 | 20230516145522.0 | ||
| 006 | m o d | | ||
| 007 | cr cn | ||
| 008 | 150803t20152015ne a ob 001 0 eng|d | ||
| 020 | _z978-90-8964-891-4 | ||
| 020 |
_a9789048527557 _q(e-book) |
||
| 035 | _a(CaPaEBR)ebr11082327 | ||
| 035 | _a(OCoLC)916529296 | ||
| 040 |
_aMiAaPQ _bcze _dABA001 _erda |
||
| 100 | 1 | _aPantenburg, Volker | |
| 245 | 1 | 0 |
_aFarocki/Godard : _bfilm as theory / _cVolker Pantenburg. |
| 264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c[2015] |
|
| 264 | 4 | _c2015 | |
| 300 |
_a1 online zdroj (292 pages) : _billustrations. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_apočítač _bc _2rdamedia |
||
| 338 |
_aonline zdroj _bcr _2rdacarrier |
||
| 490 | 1 |
_aFilm culture in transition ; _v25 |
|
| 504 | _aObsahuje bibliografické odkazy a rejstřík | ||
| 520 | _aThis book brings together two major filmmakers—German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard—to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create “film as theory.” [amazon.com] | ||
| 533 | _aElektronická reprodukce. Ann Arbor, MI : ProQuest, 2016. | ||
| 650 | 0 | 7 |
_afilmy _2czenas |
| 655 | 7 |
_aelektronické knihy _2czenas |
|
| 710 | 2 | _aProQuest (firma) | |
| 830 | 0 |
_aFilm culture in transition ; _v25. |
|
| 942 |
_2ddc _cKNIHA _n0 |
||
| 999 |
_c840 _d840 |
||