000			01863cam a2200409 a 4500
001			zpk20091992828
003			CZ PrNK
005			20230418154652.0
007			ta
008			091201s2009 xxk e 001 0 eng
020			_a9781844672974 _q(brož.)
040			_aDLC _bcze _dABA001
041	1		_aeng _hfre
045			_ax-y-
072		7	_a7.01/.09 _xUmění _2Konspekt
080			_a7.036/.038 _2MRF
080			_a7.01 _2MRF
080			_a7.01:111.852 _2MRF
080			_a(048.8) _2MRF
100	1		_aRancière, Jacques, _d1940- _4aut
245	1	4	_aThe future of the image / _cJacques Rancière ; translated by Gregory Elliott
250			_aPbk. ed.
260			_aLondon : _bVerso, _c2009
300			_a[vii], 147 s. ; _c20 cm
500			_aObsahuje rejstřík
500			_aPřeloženo z francouzštiny
520			_aIn The Future of the Image, Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, filmmakers such as Godard and Bresson, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Rancière shows that contemporary theorists of the image are suffering from religious tendencies. He argues that there is a stark political choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Rancière there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals. [amazon.com]
648		7	_a20.-21. století _2czenas
650	0	7	_amoderní umění _y20.-21. století _2czenas
650	0	7	_afilozofie umění _2czenas
650	0	7	_aestetika _2czenas
655		7	_astudie _2czenas
700	1		_aElliott, Gregory, _d1960- _4trl
765	0		_tDestin des images
910			_aABA001
942			_2ddc _cKNIHA _n0
999			_c736 _d736