000 | 02169nam a22004937i 4500 | ||
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001 | 006372755 | ||
003 | CZ PrSKC | ||
005 | 20230418152553.0 | ||
008 | 160808s2012 xxu||||| |||||||| ||eng d | ||
020 | _a9780521137881 | ||
040 |
_aBOD001 _bcze _erda |
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072 | 7 |
_a791 _xFilm. Cirkus. Lidová zábava _2Konspekt |
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080 |
_a791.622 _2MRF |
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_a(47+57) _2MRF |
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_a791.2 _2MRF |
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_a791.633-051 _2MRF |
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_a7.038.11 _2MRF |
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080 |
_a(048.8) _2MRF |
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100 | 1 |
_aPetrić, Vladimir _4aut |
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245 | 1 | 0 |
_aConstructivism in film : _bThe man with the movie camera : a cinematic analysis / _cVlada Petrić |
250 | _aSecond edition | ||
264 | 1 |
_aCambridge : _bCambridge University Press, _c2012 |
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300 |
_axii, 343 stran : _bilustrace |
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336 |
_atext _btxt _2rdacontent |
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337 |
_abez média _bn _2rdamedia |
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338 |
_asvazek _bnc _2rdacarrier |
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490 | 1 | _aCambridge studies in film | |
520 | _aConstructivism in Film examines the radical experiments of early Soviet filmmakers, with special emphasis on the relationship of Constructivist film to contemporary literature, painting, architecture and design. Surveying the socio-political aspects of the Constructivist movement as well, Vlada Petrić then analyzes in detail the most important silent film produced during this era, Dziga Vertov's The Man with the Movie Camera (1929). This updated edition contains a new chapter about the descriptive score of the film. [amazon.co.uk] | ||
600 | 1 | 7 |
_aVertov, Dziga, _d1896-1954 _2czenas |
650 | 0 | 7 |
_akinematografie _zSovětský svaz _2czenas |
650 | 0 | 7 |
_afilmy _zSovětský svaz _2czenas |
650 | 0 | 7 |
_afilmoví režiséři _zSovětský svaz _2czenas |
650 | 0 | 7 |
_akonstruktivismus (umění) _zSovětský svaz _2czenas |
650 | 0 | 9 |
_acinematography _zSoviet Union _2eczenas |
650 | 0 | 9 |
_afilms _zSoviet union _2eczenas |
650 | 0 | 9 |
_afilm directors _zSoviet Union _2eczenas |
650 | 0 | 9 |
_aconstructivism (art) _zSoviet Union _2eczenas |
655 | 7 |
_amonografie _2czenas |
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655 | 9 |
_amonographs _2eczenas |
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830 | 0 | _aCambridge studies in film | |
900 | _b16 | ||
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