| 000 | 01776nam a2200337 a 4500 | ||
|---|---|---|---|
| 001 | ebr10587558 | ||
| 003 | CZ PrNK | ||
| 005 | 20230418152055.0 | ||
| 006 | m o d | | ||
| 007 | cr cn | ||
| 008 | 120823s2009 xxk sbq 001 0 eng d | ||
| 020 |
_z978-1-906660-25-3 _q(pbk. alk. paper) |
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| 020 |
_z978-0-231-85012-4 _q(e-book) |
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| 035 | _a(CaPaEBR)ebr10587558 | ||
| 035 | _a(OCoLC)818857838 | ||
| 040 |
_aMiAaPQ _bcze _dABA001 |
||
| 043 | _aa-kr--- | ||
| 100 | 1 | _aPaquet, Darcy | |
| 245 | 1 | 0 |
_aNew Korean cinema _h[elektronický zdroj] : _bbreaking the waves / _cDarcy Paquet. |
| 260 |
_aLondon ; _aNew York : _bWallflower, _cc2009 |
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| 300 | _a1 online zdroj (135 p.) | ||
| 490 | 1 | _aShort cuts | |
| 504 | _aObsahuje bibliografické odkazy a rejstřík | ||
| 520 | _aNew Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint Candy (1999), Oldboy (2003), and The Host (2006). [amazon.com] | ||
| 533 | _aElectronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 650 | 0 | 7 |
_afilmy _2czenas |
| 655 | 7 |
_aelektronické knihy _2czenas |
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| 710 | 2 | _aProQuest (firma) | |
| 830 | 0 | _aShort cuts (London, England) | |
| 942 |
_2ddc _cKNIHA _n0 |
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| 999 |
_c729 _d729 |
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