000 | 02111nam a2200301 a 4500 | ||
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001 | ebr10716186 | ||
003 | CZ PrNK | ||
005 | 20230417164806.0 | ||
006 | m o u | ||
007 | cr cn | ||
008 | 130109s2013 xxu sb 001 0 eng d | ||
020 |
_z978-0-520-27561-4 _q(hardback) |
||
020 |
_z978-0-520-27562-1 _q(paper) |
||
020 | _z978-0-520-95493-9 | ||
035 | _a(OCoLC)846495005 | ||
040 |
_aCaPaEBR _bcze _dABA001 |
||
100 | 1 |
_aMacDonald, Scott, _d1942- |
|
245 | 1 | 0 |
_aAmerican ethnographic film and personal documentary _h[elektronický zdroj] : _bthe Cambridge turn / _cScott MacDonald. |
260 |
_aBerkeley : _bUniversity of California Press, _c2013 |
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300 | _a1 online zdroj (viii, 415 p.) | ||
504 | _aObsahuje bibliografické odkazy a rejstřík | ||
520 | _aAmerican Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. [amazon.com] | ||
533 |
_aElektronická reprodukce. _bPalo Alto, Calif. : _cebrary, _d2013. |
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650 | 0 | 7 |
_adokumentární filmy _2czenas |
655 | 7 |
_aelektronické knihy _2czenas |
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710 | 2 | _aebrary, Inc. | |
942 |
_2ddc _cKNIHA _n0 |
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999 |
_c713 _d713 |