000 | 02058nam a2200349 i 4500 | ||
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001 | ebr11050167 | ||
003 | CZ PrNK | ||
005 | 20230417151525.0 | ||
006 | m o d | | ||
007 | cr cn | ||
008 | 150509t20152015xxka ob 001 0 eng|d | ||
020 | _z978-0-231-17271-4 | ||
020 |
_a9780231850773 _q(e-book) |
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035 | _a(CaPaEBR)ebr11050167 | ||
035 | _a(OCoLC)909908063 | ||
040 |
_aMiAaPQ _bcze _dABA001 _erda |
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100 | 1 | _aMagagnoli, Paolo | |
245 | 1 | 0 |
_aDocuments of Utopia : _bthe politics of experimental documentary / _cPaolo Magagnoli. |
264 | 1 |
_aLondon : _bWallflower Press, _c[2015] |
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264 | 4 | _c©2015 | |
300 |
_a1 online zdroj (193 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_apočítač _bc _2rdamedia |
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338 |
_aonline zdroj _bcr _2rdacarrier |
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504 | _aObsahuje bibliografické odkazy a rejstřík | ||
520 | _aThis timely volume discusses the experimental documentary projects of some of the most significant artists working in the world today: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya and Emilia Kabakov, Jon Thomson and Alison Craighead, and Anri Sala. Their films, videos, and photographic series address failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and critically contributes to the debate on the conditions of utopian thinking in late-capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward remembrance. The book therefore provides one of the first critical examinations of the recent turn toward documentary in the field of contemporary art. [amazon.com] | ||
533 | _aElektronická reprodukce. Ann Arbor, MI : ProQuest, 2015. | ||
650 | 0 | 7 |
_adokumentární filmy _2czenas |
655 | 7 |
_aelektronické knihy _2czenas |
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710 | 2 | _aProQuest (firma) | |
942 |
_2ddc _cKNIHA _n0 |
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999 |
_c693 _d693 |