000 03506nam a2200397 i 4500
001 ebr10774446
003 CZ PrNK
005 20230408113804.0
006 m o d |
007 cr cn
008 120918s2012 xxka obq 001 0 eng d
020 _a9780231850162
_q(e-book)
020 _z978-0-231-16215-9
035 _a(CaPaEBR)ebr10774446
035 _a(OCoLC)859182684
040 _aMiAaPQ
_bcze
_dABA001
_erda
245 0 4 _aThe cinema of me :
_bthe self and subjectivity in first person documentary /
_cedited by Alisa Lebow.
264 1 _aLondon ;
_aNew York :
_bWallflower Press,
_c2012.
300 _a1 online zdroj (289 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _apočítač
_bc
_2rdamedia
338 _aonline zdroj
_bcr
_2rdacarrier
490 1 _aNonfictions series
504 _aObsahuje bibliografické odkazy a rejstřík
504 _aObsahuje filmografii
505 0 _aFirst person singular. The role of history in the individual : working notes for a film / Michael Chanan -- The curious incident of the dog in the nighttime / Andrš Di Tella -- Impersonations of Glauber Rocha by Glauber Rocha / Jos Gatti -- The self-portrait film : Michelangelo's last gaze / Laura Rascaroli -- Cycles of life : El cielo gira and Spanish autobiographical documentary / Efrň Cuevas -- From the interior : space, time and queer discursivity in Kamal Aljafari's The roof / Peter Limbrick -- First person plural. Jennifer Fox's transcultural talking cure : Flying : confessions of a free woman / Angelica Fenner -- Secrets and inner voices : the self and subjectivity in contemporary Indian documentary / Sabeena Gadihoke -- In the eye of the storm : the political stake of Israeli i-movies / Linda Dittmar -- Diasporic subjectivity. Looking for home in home movies : the home mode in Caribbean diaspora first person film and video practice / Elspeth kydd -- 'If I am (not) for myself' : Michelle Citron's diasporic first person(s) / Sophie Mayer -- The camera as peripatetic migration machine / Alisa Lebow -- Virtual subjectivity. Blogging identity.com / Peter Hughes -- The me and the we : a first person meditation on media translation in three acts / Alexandra Juhasz.
520 _aWhen a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play - the matter and the maker - thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts. [amazon.co.uk]
533 _aElektronická reprodukce. Ann Arbor, MI : ProQuest, 2015.
650 0 7 _adokumentární filmy
_2czenas
655 7 _aelektronické knihy
_2czenas
700 1 _aLebow, Alisam
710 2 _aProQuest (firma)
776 0 8 _iTištěná verze:
_tCinema of me : the self and subjectivity in first person documentary.
_dLondon ; New York : Wallflower Press, 2012
_z978-0-231-16215-9
830 0 _aNonfictions.
942 _2ddc
_cKNIHA
_n0
999 _c682
_d682