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003			CZ PrSKC
005			20230408105615.0
008			160819s2014 xxu||||| |||||||| ||eng d
020			_a9780822356448 _q(cloth ; _qalk. paper)
020			_a9780822356561 _q(pbk. ; _qalk. paper)
040			_aBOD001 _bcze _erda
072		7	_a791 _xFilm. Cirkus. Lidová zábava _2Konspekt
080			_a791.32.072.3 _2MRF
080			_a791.32.01:111.852 _2MRF
080			_a7.072/.073 _2MRF
080			_a159.9 _2MRF
080			_a(048.8) _2MRF
100	1		_aBrinkema, Eugenie _4aut
245	1	4	_aThe forms of the affects / _cEugenie Brinkema
264		1	_aDurham : _bDuke University Press, _c2014
300			_axvi, 347 stran, 2 nečíslované strany obrazových příloh : _bilustrace (některé barevné)
336			_atext _btxt _2rdacontent
337			_abez média _bn _2rdamedia
338			_asvazek _bnc _2rdacarrier
520			_aWhat is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form. [amazon.com]
650	0	7	_afilmová kritika _2czenas
650	0	7	_afilmová estetika _2czenas
650	0	7	_avnímání uměleckého díla _xpsychologické aspekty _2czenas
650	0	9	_afilm criticism _2eczenas
650	0	9	_aaesthetics of film _2eczenas
650	0	9	_aperception of art _xpsychological aspects _2eczenas
655		7	_astudie _2czenas
655		9	_astudies _2eczenas
900			_b16
910			_aABD001
910			_aABD020
910			_aBOD001
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