000			03008nam a2200373 a 4500
001			ebr10280022
003			CZ PrNK
005			20230406153059.0
006			m u
007			cr cn
008			080630s2009 xxua sb 001 0 eng d
020			_z978-0-262-06276-3
020			_z0-262-06276-3
035			_a(OCoLC)646801470
040			_aCaPaEBR _bcze _dABA001
100	1		_aFrampton, Hollis, _d1936-1984
245	1	0	_aOn the camera arts and consecutive matters _h[elektronický zdroj] : _bthe writings of Hollis Frampton / _cedited with an introduction by Bruce Jenkins.
260			_aCambridge, Mass. : _bMIT Press, _cc2009
300			_a1 online zdroj (xx, 331 p.) : _bill. (some col.).
490	1		_aThe MIT Press writing art series
504			_aObsahuje bibliografické odkazy a rejstřík
520			_aThe collected writings of artist and filmmaker Hollis Frampton, including all the essays from the long-unavailable Circles of Confusion along with rare additional material. As Hollis Frampton's photographs and celebrated experimental films were testing the boundaries of “the camera arts” in the 1960s and 1970s, his provocative and highly literate writings were attempting to establish an intellectually resonant form of discourse for these critically underexplored fields. It was a time when artists working in diverse disciplines were beginning to pick up cameras and produce films and videotapes, well before these practices were understood or embraced by institutions of contemporary art. This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, and production notes and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983. Frampton ranged widely over the visual arts in his writing, and the texts in this collection display his unique approaches to photography, film, and video, as well as the plastic and literary arts. They include critically acclaimed essays on Edward Weston and Eadweard Muybridge as well as appraisals of contemporary photographers; the influential essay, “For a Metahistory of Film,” along with scripts, textual material, and scores for his films; writings on video that constitute a prehistory of the digital arts; a dialogue with Carl Andre (his friend and former Phillips Andover classmate) from the early 1960s; and two inventive, almost unclassifiable pieces that are reminiscent of Borges, Joyce, and Beckett. [amazon.com]
533			_aElektronická reprodukce. _bPalo Alto, Calif. : _cebrary, _d2009.
650	0	7	_afilmy _2czenas
650	0	7	_afotografie _2czenas
650	0	7	_afotografování _2czenas
650	0	7	_akinematografie _2czenas
650	0	7	_aumění _2czenas
655		7	_aelektronické knihy _2czenas
700	1		_aJenkins, Bruce, _d1952-
710	2		_aebrary, Inc.
830		0	_aMIT Press writing art series.
942			_2ddc _cKNIHA _n0
999			_c640 _d640