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008 180913t20172017enk ob 001 0 eng
010 _a 2019667753
020 _a1783207760
_q(ePDF)
020 _a1783207779
_q(ePUB)
020 _a9781783207763
_q(ePDF)
020 _a9781783207770
_q(ePUB)
020 _z1783207752
_q(hc)
020 _z9781783207756
_q(hc)
040 _aDLC
_beng
_epn
_erda
_cDLC
_dDLC
042 _apcc
050 0 0 _aPN1995.9.S284
082 0 0 _a791.43019
_223
100 1 _aFleming, David H.,
_eauthor.
245 1 0 _aUnbecoming cinema :
_bunsettling encounters with ethical event films /
_cDavid H. Fleming.
264 1 _aBristol, UK :
_bIntellect ;
_aChicago, IL :
_bIntellect/The University of Chicago Press,
_c[2017]
300 _a1 electronic resource (214 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references (pages 187-205) and index.
505 0 _aIntroduction: on ethics and evental encounters -- Part I. Exposing and revealing -- Death 24X a haecceity: or Deleuze, life and the ethico-aesthetics of documenting suicide in (and off) The bridge -- Cinema and/as autism: disorder-ing movements from the intellect to intuition, ego to the eco, and 'pre-chunked' perception to in-forming haecceitic 'shapes' (via Deligny and Guattari) -- Part II. Distorting and perverting -- Head cinema as body without organs: on Jodorowsky's Bitter Pill films and their Spinozian parallels -- That's 'really' sick: pervert horror, torture porn(ology), bad-taste and emetic affect in Lucifer Valentine's Unbecoming 'Cinema of repulsions.'
506 _fUnrestricted online access
520 8 _aUnbecoming Cinema explores the notion of cinema as a living, active agent, capable of unsettling and reconfiguring a person's thoughts, senses, and ethics. Film, according to David H. Fleming, is a dynamic force, arming audiences with the ability to see and make a difference in the world. Drawing heavily on Deleuze's philosophical insights, as well as those of Guattari and Badiou, the book critically examines unsettling and taboo footage from suicide documentaries to art therapy films, from portrayals of mental health and autism to torture porn. In investigating the effect of film on the mind and body, Fleming's shrewd analysis unites transgressive cinema with metaphysical concepts of the body and mind.
540 _aCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
_fCC BY-NC-ND 4.0
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
588 _aDescription based on online resource; title from PDF title page (viewed on 11/24/2020).
650 0 _aSensationalism in motion pictures.
650 0 _aMotion pictures
_xPsychological aspects.
650 0 _aTaboo in motion pictures.
650 0 _aExperimental films
_xHistory and criticism.
650 0 _aMotion pictures
_xMoral and ethical aspects.
650 7 _aExperimental films.
_2fast
_0(OCoLC)fst00918452
650 7 _aMotion pictures
_xMoral and ethical aspects.
_2fast
_0(OCoLC)fst01027344
650 7 _aMotion pictures
_xPsychological aspects.
_2fast
_0(OCoLC)fst01027364
650 7 _aSensationalism in motion pictures.
_2fast
_0(OCoLC)fst01896101
650 7 _aTaboo in motion pictures.
_2fast
_0(OCoLC)fst01904855
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
776 0 8 _iPrint version:
_tUnbecoming cinema
_dBristol, UK : Intellect ; 2017.
_z9781783207756
_w(DLC) 2018298589
906 _a7
_bcbc
_corigcop
_du
_encip
_f20
_gy-gencatlg
942 _2ddc
_cKNIHA
_n0
999 _c639
_d639