000			02709nam a2200325 a 4500
001			ebr11050049
003			CZ PrNK
005			20230406150248.0
006			m o d
007			cr cn
008			150509t20152015xxka ob 001 0 eng|d
020			_z978-0-231-17451-0
020			_a9780231850803 _q(e-book)
040			_aCaPaEBR _bcze _dABA001 _erda
100	1		_aElwes, Catherine
245	1	0	_aInstallation and the moving image / _cCatherine Elwes.
264		1	_aLondon : _bWallflower Press, _c[2015]
264		4	_c©2015
300			_a1 online zdroj (323 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_apočítač _bc _2rdamedia
338			_aonline zdroj _bcr _2rdacarrier
504			_aObsahuje bibliografické odkazy a rejstřík
520			_aFilm and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?" [books.google.cz]
533			_aElektronická reprodukce. Palo Alto, Calif. : ebrary, 2015.
650	0	7	_ainstalace (umění) _2czenas
655		7	_aelektronické knihy _2czenas
710	2		_aebrary, Inc.
942			_2ddc _cKNIHA _n0
999			_c635 _d635