000 | 02532cam a2200373 i 4500 | ||
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001 | 990023012980106986 | ||
003 | CZ PrSKC | ||
005 | 20230403170041.0 | ||
008 | 160105s2014 xxua ||1 | eng d | ||
020 |
_a9781138843639 _q(brožováno) |
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040 |
_aABD020 _bcze _dABD001 _erda |
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072 | 7 |
_a791 _xFilm. Cirkus. Lidová zábava _2Konspekt |
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100 | 1 |
_aSeung-Hoon, Jeong _4aut |
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245 | 1 | 0 |
_aCinematic interfaces : _bfilm theory after new media / _cSeung-Hoon Jeong |
250 | _aFirst published 2013 | ||
264 | 1 |
_aNew York, NY : _bRoutledge, _c2014 |
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300 |
_axii, 269 stran : _bilustrace |
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336 |
_atext _btxt _2rdacontent |
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337 |
_abez média _bn _2rdamedia |
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338 |
_asvazek _bnc _2rdacarrier |
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504 | _aObsahuje bibliografické poznámky, bibliografii na stranách 249 až 260 a rejstřík na stranách 261 až 269 | ||
520 | _aIn this book, Seung-hoon Jeong introduces the cinematic interface as a contact surface that mediates between image and subject, proposing that this mediation be understood not simply as transparent and efficient but rather as asymmetrical, ambivalent, immanent, and multidirectional. Jeong enlists the new media term "interface" to bring to film theory a synthetic notion of interfaciality as underlying the multifaceted nature of both the image and subjectivity. Drawing on a range of films, Jeong examines cinematic interfaces seen on screen and the spectator’s experience of them, including: the direct appearance of a camera/filmstrip/screen, the character’s bodily contact with such a medium-interface, the object’s surface and the subject’s face as "quasi-interface," and the image itself. Each of these case studies serves as a platform for remapping and revamping major concepts in film studies such as suture, embodiment, illusion, signification, and indexicality. Looking to such theories as the ontology of the image and the phenomenology of the body, this original theorization of the cinematic interface not only offers a conceptual framework for rethinking and re-linking film and media studies, but also suggests a general theory of the interface. [amazon.com] | ||
650 | 0 | 7 |
_afilmová teorie _2czenas |
650 | 0 | 7 |
_aaudiovizuální média _2czenas |
650 | 0 | 7 |
_adigitální média _2czenas |
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_afilmová věda _2czenas |
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_aliterární kritika _2czenas |
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_afilozofie _2czenas |
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_asociologie _2czenas |
655 | 7 |
_amonografie _2czenas |
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910 | _aABD001 | ||
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