000			02221cam a22003737a 4500
001			990018967470106986
003			CZ PrSKC
005			20230403160846.0
008			930518s1994 xxua 001 0 eng d
010			_a93023982
020			_a9780231078986 _q(váz.)
020			_a9780231078993 _z0-231-07899-4 _q(brož.)
040			_aDLC _bcze _cDLC _dDLC
041	1		_aeng _hfre
072		7	_a7.01/.09 _xUmění _2Konspekt
100	1		_aChion, Michel, _d1947- _4aut
245	1	0	_aAudio-vision : _bsound on screen / _cMichel Chion ; edited and translated by Claudia Gorbman ; with a foreword by Walter Murch
260			_aNew York : _bColumbia University Press, _cc1994
300			_axxvii, 239 s. : _bil. ; _c22 cm
504			_aObsahuje bibliografii na s. [225]-227 a rejstřík
520			_aIn Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television. He considers the effects of such evolving technologies as widescreen, multitrack, and Dolby; the influences of sound on the perception of space and time; and the impact of such contemporary forms of audio-vision as music videos, video art, and commercial television. Chion concludes with an original and useful model for the audiovisual analysis of film. [amazon.com]
534			_pOriginál: _cParis : Editions Nathan, 1990
650	0	7	_aaudiovizuální kultura _2czenas
650	0	7	_afilm _2czenas
650	0	7	_afilmová teorie _2czenas
650	0	7	_azvuk _2czenas
650	0	7	_aestetika _2czenas
700	1		_aGorbman, Claudia _4edt _4trl
700	1		_aMurch, Walter, _d1943- _4aui
765	0	8	_tAudio-vision
900			_b16
910			_aABD001
942			_2ddc _cKNIHA _n0
999			_c595 _d595