000			02098nam a2200313 a 4500
001			ebr10106666
003			CZ PrNK
005			20230403150348.0
006			m u
007			cr cn
008			050817s2005 ne sb 001 0 eng
020			_z90-5356-769-0
020			_z90-5356-768-2 _q(pbk.)
040			_aCaPaEBR _bcze _dABA001
245	0	0	_aCinephilia _h[elektronický zdroj] : _bmovies, love and memory / _cedited by Marijke de Valck and Malte Hagener.
260			_aAmsterdam : _bAmsterdam University Press, _cc2005
300			_a1 online zdroj (236 p.)
490	1		_aFilm culture in transition
504			_aObsahuje bibliografické odkazy a rejstřík
520			_aThis anthology explores new periods, practices and definitions of what it means to love the cinema. The essays demonstrate that beyond individualist immersion in film, typical of the cinephilia as it was popular from the 1950s to the 1970s, a new type of cinephilia has emerged since the 1980s, practiced by a new generation of equally devoted, but quite differently networked cinephilies. They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recordings devices, and online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike. [bookfusion.com]
533			_aElektronická reprodukce. _bPalo Alto, Calif. : _cebrary, _d2009.
650	0	7	_afilmy _2czenas
655		7	_aelektronické knihy _2czenas
700	1		_aValck, Marijke de
700	1		_aHagener, Malte, _d1971-
710	2		_aebrary, Inc.
830		0	_aFilm culture in transition.
942			_2ddc _cKNIHA _n0
999			_c588 _d588