000			02033nam a22003375i 4500
001			019233024
003			Uk
005			20220215165340.0
006			m || d |
007			cr |||||||||||
008			190130s2019 xxk||||fo |||| ||eng
020			_a9781527524040 _qElectronic book (PDF format)
037			_a9781527524040 _bCambridge Scholars Publishing
040			_aUk _beng _cUk
100	1		_aDaniels, Jill.
245	1	0	_aMemory, Place and Autobiography : _bExperiments in Documentary Filmmaking / _cJill Daniels.
264		1	_aNewcastle-upon-Tyne : _bCambridge Scholars Publishing, _c2019.
300			_a1 online resource (243 pages)
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
520			_aThere has been a significant growth in autobiographical documentary films in recent years. This innovative book proposes that the filmmaker in her dual role as maker and subject may act as a cultural guide in an exploration of the social world. It argues that, in the cinematic mediation of memory, the mimetic approach in the construction of documentary films may not be feasible, and memory may instead be evoked elliptically through hybrid strategies such as critical realism and fictional enactment. Recognizing that identity is formed by history and what ‘goes on’ in the world, the book charts the historical trajectory of the British independent filmmaking movement from the mid-1970s to the present growth of new online distribution outlets and new media through digital technologies and social media.[https://www.cambridgescholars.com/]
650		7	_aDocumentary films. _2bicssc
650		7	_aAutobiography: arts & entertainment. _2bicssc
650		7	_aMemory. _2bicssc
884			_aLDL ebooks tsv to marcxml transformation using Record_Load-eBooks_Legal_Deposit_tsv2marc_v2-0.xsl _g20190130 _k9781527524040 _qUk
903			_aELD.DS.384689
942			_2ddc _cKNIHA _n0
999			_c51 _d51