000			03152cam a2200409 i 4500
001			20786093
003			OSt
005			20220215164356.0
008			181218s2019 ilua b s001 0 eng
010			_a 2018049780
020			_a9780252042539 _q(hardcover ; _qacid-free paper)
020			_a9780252084348 _q(softcover ; _qacid-free paper)
020			_z9780252084671 _q(ebook)
040			_aDLC _beng _cDLC _erda _dDLC
042			_apcc
043			_an-us---
050	0	0	_aPN1995.9.D6 _bW37 2019
082	0	0	_a070.1/8 _223
100	1		_aWarren, Shilyh J., _d1974- _eauthor.
245	1	0	_aSubject to reality : _bwomen and documentary film / _cShilyh Warren.
264		1	_aUrbana : _bUniversity of Illinois Press, _c[2019]
300			_ax, 179 pages : _billustrations ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aWomen and film history international
504			_aIncludes bibliographical references (pages 147-167) and index.
505	0		_aIntroduction: two real moments -- Filming among others: Frances Flaherty and Osa Johnson -- Anthropological visions inside and out: Zora Neale Hurston and Margaret Mead -- Strangely familiar: autoethnography and whiteness in personal documentaries -- Native ethnographers and feminist solidarity -- Conclusion: when the walls come down.
520			_aRevolutionary thinking around gender and race merged with new film technologies to usher in a wave of women's documentaries in the 1970s. Driven by the various promises of second-wave feminism, activist filmmakers believed authentic stories about women would bring more people into an imminent revolution. Yet their films soon faded into obscurity.[https://www.press.uillinois.edu/] _bShilyh Warren reopens this understudied period and links it to a neglected era of women's filmmaking that took place from 1920 to 1940, another key period of thinking around documentary, race, and gender. Drawing women’s cultural expression during these two explosive times into conversation, Warren reconsiders key debates about subjectivity, feminism, realism, and documentary and their lasting epistemological and material consequences for film and feminist studies. She also excavates the lost ethnographic history of women's documentary filmmaking in the earlier era and explores the political and aesthetic legacy of these films in more explicitly feminist periods like the Seventies. Filled with challenging insights and new close readings, Subject to Reality sheds light on a profound and unexamined history of feminist documentaries while revealing their influence on the filmmakers of today.[https://www.press.uillinois.edu/]
650		0	_aDocumentary films _zUnited States _xHistory _y20th century.
650		0	_aWomen motion picture producers and directors _zUnited States.
650		0	_aFeminism and motion pictures.
650		0	_aMotion pictures and women.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cKNIHA _n0
999			_c50 _d50