| 000 | 02563aam a2200409 i 4500 | ||
|---|---|---|---|
| 001 | 016931268 | ||
| 003 | Uk | ||
| 005 | 20220805161150.0 | ||
| 008 | 140320s2015 nyua b 001 0 eng | ||
| 010 | _a2014002191 | ||
| 015 |
_aGBB4C2397 _2bnb |
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| 016 | 7 |
_a016931268 _2Uk |
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| 020 |
_a9780199337026 (hardcover) : _c£64.00 |
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| 020 |
_a9780199337033 (pbk.) : _c£19.99 |
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| 040 |
_aStDuBDS _beng _cStDuBDS _dUk _erda |
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| 042 | _aukblsr | ||
| 043 |
_ae------ _an-us--- |
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| 050 | 0 | 0 |
_aPN1995.9.E96 _bS48 2015 |
| 082 | 0 | 0 |
_a791.436 _223 |
| 100 | 1 | _aSitney, P. Adams. | |
| 245 | 1 | 4 |
_aThe cinema of poetry / _cP. Adams Sitney. |
| 264 | 1 |
_aNew York : _bOxford University Press, _c[2015] |
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| 300 |
_axii, 276 pages : _billustrations ; _c25 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 500 |
_aFormerly CIP. _5Uk |
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| 500 | _aIncludes bibliographical references (pages 257-270) and index. | ||
| 505 | 0 | _aIntroduction: An autobiography of enthusiasms -- Part 1. Poetry and the narrative cinema in Europe -- Pier Paolo Pasolini and "the cinema of 'poetry'" -- Dimitri Kirsanoff's Ménilmontant -- Ingmar Bergman's Primal scene -- Andrey Tarkovsky's concept of poetry -- Part 2. Poetry and the American avant-garde cinema -- The dialectic of experience in Joseph Cornell's films -- Lawrence Jordan's Magical instructions -- Stan Brakhage's poetics -- 8 Nathaniel Dorsky, Jerome Hiler, and the polyvalent film -- Gregory J. Markopoulos and the Temenos. | |
| 520 | _aInformed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes St phane Mallarm , Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avantgarde. [zdroj: goodreads.com] | ||
| 650 | 0 |
_aExperimental films _zEurope _xHistory and criticism. |
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| 650 | 0 |
_aExperimental films _zUnited States _xHistory and criticism. |
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| 650 | 0 | _aPoetry in motion pictures. | |
| 650 | 0 |
_aMotion pictures _xAesthetics |
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| 942 |
_2ddc _cKNIHA _n0 |
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| 999 |
_c353 _d353 |
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