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The cinema of Agnès Varda : resistance and eclecticism / Delphine Bénézet

Podle: Typ materiálu: TextTextEdice: Directors' cuts series | Directors' cuts seriesVydavatel: London : Wallflower Press, [2014]Datum copyrightu: ©2014Popis: vii, 160 stran : ilustraceTyp obsahu:
  • text
Typ média:
  • bez média
Typ nosiče:
  • svazek
ISBN:
  • 9780231169752
Předmětová hesla: Žánr/Forma: Souhrn: Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form. [amazon.com]
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Jednotky
Typ jednotky Aktuální knihovna Signatura Stav Půjčeno do Čárový kód
Kniha Kniha Centrum dokumentárního filmu Cizojazyčné publikace E821 E821/2092/BÉN (Prohlédnout regál(Otevře se níže)) Dostupné E821/2092/BEN

Obsahuje bibliografii, filmografii a rejstřík

Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
[amazon.com]

Jazyková verze: anglicky

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