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Dreaming of cinema : spectatorship, surrealism, and the age of digital media / Adam Lowenstein ; cover and interior design by Martin N. Hinze.

Podle: Přispěvatel(é): Typ materiálu: TextTextEdice: Film and cultureVydavatel: New York ; Chichester, England : Columbia University Press, 2015Datum copyrightu: ©2015Popis: 1 online zdroj (274 pages) : illustrations, photographsTyp obsahu:
  • text
Typ média:
  • počítač
Typ nosiče:
  • online zdroj
ISBN:
  • 9780231538480
Žánr/Forma: Další fyzické formáty: Tištěná verze:: Dreaming of cinema : spectatorship, surrealism, and the age of digital media.Souhrn: This book offers a positive alternative to cinema's perceived crisis of realism and, in so doing, enriches the meaning of cinematic spectatorship in the twenty-first century. It begins by showing how video games, YouTube channels, Blu-ray discs and other forms of “new” media have made theatrical cinema seem “old.” It details how a sense of “cinema lost” has accompanied the ascent of digital media, and explains that many people now worry that film's capacity to record the real is fundamentally changing. The book goes on to argue that the Surrealist movement never treated cinema as a realist medium and that it understood our perceptions of the real itself to be a mirage. It uses the Surrealist interpretation of film's aesthetics and function to assess the writings, films and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell. It recognizes the significance of this body of work to the films of David Cronenberg, Nakata Hideo, and Atom Egoyan. It also recognizes its significance to the American remake of the Japanese Ring (1998) and a YouTube channel devoted to Rock Hudson. [academic.oup.com]
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Jednotky
Typ jednotky Aktuální knihovna Signatura Stav Půjčeno do Čárový kód
Kniha Kniha Centrum dokumentárního filmu Cizojazyčné publikace E821 E821/1468/LOW (Prohlédnout regál(Otevře se níže)) Dostupné E821/1468/LOW

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This book offers a positive alternative to cinema's perceived crisis of realism and, in so doing, enriches the meaning of cinematic spectatorship in the twenty-first century. It begins by showing how video games, YouTube channels, Blu-ray discs and other forms of “new” media have made theatrical cinema seem “old.” It details how a sense of “cinema lost” has accompanied the ascent of digital media, and explains that many people now worry that film's capacity to record the real is fundamentally changing. The book goes on to argue that the Surrealist movement never treated cinema as a realist medium and that it understood our perceptions of the real itself to be a mirage. It uses the Surrealist interpretation of film's aesthetics and function to assess the writings, films and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell. It recognizes the significance of this body of work to the films of David Cronenberg, Nakata Hideo, and Atom Egoyan. It also recognizes its significance to the American remake of the Japanese Ring (1998) and a YouTube channel devoted to Rock Hudson.
[academic.oup.com]

Elektronická reprodukce. Ann Arbor, MI : ProQuest, 2015.

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