TY  - BOOK
AU  - Väliaho,Pasi
TI  - Biopolitical screens: image, power, and the neoliberal brain 
T2  - Leonardo
SN  - 9780262324533
PY  - 2014///]
CY  - Cambridge, Massachusetts
PB  - The MIT Press
KW  - biopolitika
KW  - czenas
KW  - ekonomie
KW  - imaginace
KW  - umění a společnost
KW  - vizuální sociologie
KW  - elektronické knihy
N1  - Obsahuje bibliografické odkazy a rejstřík; Biopolitical visual economy: image, apparatus, and the cerebral subject -- Future perfect: first-person shooters, neuropower, preemption -- Contingent pasts: affectivity, memory, and the virtual reality of war -- Emergent present: imagination, montage, critique
N2  - An investigation of the aesthetics and politics of new visual media under twenty-first-century capitalism, from console games to virtual reality to video installation art.
In Biopolitical Screens, Pasi Väliaho charts and conceptualizes the imagery that composes our affective and conceptual reality under twenty-first-century capitalism. Väliaho investigates the role screen media play in the networks that today harness human minds and bodies—the ways that images animated on console game platforms, virtual reality technologies, and computer screens capture human potential by plugging it into arrangements of finance, war, and the consumption of entertainment. Drawing on current neuroscience and political and economic thought, Väliaho argues that these images work to shape the atomistic individuals who populate the neoliberal world of accumulation and war.

Väliaho bases his argument on a broad notion of the image as something both visible and sayable, detectable in various screen platforms but also in scientific perception and theoretical ideas. After laying out the conceptual foundations of the book, Väliaho offers focused and detailed investigations of the current visual economy. He considers the imagery of first-person shooter video games as tools of “neuropower”; explores the design and construction of virtual reality technologies to treat post-traumatic stress disorder in veterans of Iraq and Afghanistan; and examines three instances of video installation art that have the power to disrupt the dominant regime of sensibility rather than reinforce it.
[amazon.com]
ER  -