Film, a sound art / Michel Chion ; translated by Claudia Gorbman
Typ materiálu: TextJazyk: English (Angličtina) Original language: Francouzština Publication details: New York : Columbia University Press, 2009Popis: xii, 536 s. : il., noty ; 24 cmISBN:- 9780231137775
Typ jednotky | Aktuální knihovna | Signatura | Stav | Půjčeno do | Čárový kód | |
---|---|---|---|---|---|---|
Kniha | Centrum dokumentárního filmu Cizojazyčné publikace E821 | E821/2169/CHIO (Prohlédnout regál(Otevře se níže)) | Dostupné | E821/2169/CHIO |
Procházení Centrum dokumentárního filmu regálů, Shelving location: Cizojazyčné publikace E821 Ukončit prohlížení regálu (Ukončí prohlížení regálu)
E821/2166/GEV Toward a Philosophy of the Documentarian : A Prolegomenon / | E821/2167/BOC Remaking the news : essays on the future of journalism scholarship in the digital age / | E821/2168/HAL Documenting the visual arts / | E821/2169/CHIO Film, a sound art / | E821/2170/DAN Memory, Place and Autobiography : Experiments in Documentary Filmmaking / | E821/2171/ADA Enduring images : a future history of new left cinema / | E821/2172/WAR Subject to reality : women and documentary film / |
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French critic and composer Michel Chion argues that watching movies is more than just a visual exerciseit enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema.
The first half of Film, a Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, a Sound Art showcases the vast knowledge and innovative thinking of a major theorist.
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