Killer tapes and shattered screens [elektronický zdroj] : video spectatorship from VHS to file sharing / Caetlin Benson-Allott.
Typ materiálu:
TextPublication details: Berkeley, CA : University of California Press, 2013Popis: 1 online zdroj (xiii, 297 p.) : illPředmětová hesla: Žánr/Forma: Souhrn: Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
[amazon.com]
| Typ jednotky | Aktuální knihovna | Signatura | Stav | Půjčeno do | Čárový kód | |
|---|---|---|---|---|---|---|
Kniha
|
Centrum dokumentárního filmu Cizojazyčné publikace E821 | E821/1154/BEN (Prohlédnout regál(Otevře se níže)) | Dostupné | E821/1154/BEN |
Procházení Centrum dokumentárního filmu regálů, Shelving location: Cizojazyčné publikace E821 Ukončit prohlížení regálu (Ukončí prohlížení regálu)
| E821/1148/JAF Slow movies : countering the cinema of action / | E821/1149/CRI Critical cinema beyond the theory of practice / | E821/1150/MIT Complex TV : the poetics of contemporary television storytelling / | E821/1154/BEN Killer tapes and shattered screens video spectatorship from VHS to file sharing / | E821/1155/ELS Film theory : an introduction through the senses / | E821/1157/NEU Neuroscience and media : new understandings and representations / | E821/1159/ROD Elegy for theory |
Obsahuje bibliografické odkazy, filmografii a rejstřík
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
[amazon.com]
Elektronická reprodukce. Palo Alto, Calif. : ebrary, 2013.
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