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The archive effect found footage and the audiovisual experience of history / Jaimie Baron

Podle: Typ materiálu: TextTextVydavatel: London ; New York : Routledge, 2013Vydání: First publishedPopis: ix, 187 stran : ilustraceTyp obsahu:
  • text
Typ média:
  • bez média
Typ nosiče:
  • svazek
ISBN:
  • 9780415660730
Předmětová hesla: Žánr/Forma: Souhrn: The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin. [routledge.com]
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Jednotky
Typ jednotky Aktuální knihovna Signatura Stav Půjčeno do Čárový kód
Kniha Kniha Centrum dokumentárního filmu Cizojazyčné publikace E821 E821/1161/BAR (Prohlédnout regál(Otevře se níže)) Dostupné E821/1161/BAR

Obsahuje bibliografické poznámky, bibliografii a rejstřík

The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.

The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.
[routledge.com]

Jazykové verze: anglicky

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