Film theory : an introduction through the senses / Thomas Elsaesser and Malte Hagener
Typ materiálu: TextVydavatel: New York ; London : Routledge, Taylor & Francis group, 2015Vydání: 2nd editionPopis: viii, 237 stran : ilustraceTyp obsahu:- text
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- svazek
- 9781138824300
Typ jednotky | Aktuální knihovna | Signatura | Stav | Půjčeno do | Čárový kód | |
---|---|---|---|---|---|---|
Kniha | Centrum dokumentárního filmu Cizojazyčné publikace E821 | E821/1155/ELS (Prohlédnout regál(Otevře se níže)) | Dostupné | E821/1155/ELS |
Procházení Centrum dokumentárního filmu regálů, Shelving location: Cizojazyčné publikace E821 Ukončit prohlížení regálu (Ukončí prohlížení regálu)
E821/1149/CRI Critical cinema beyond the theory of practice / | E821/1150/MIT Complex TV : the poetics of contemporary television storytelling / | E821/1154/BEN Killer tapes and shattered screens video spectatorship from VHS to file sharing / | E821/1155/ELS Film theory : an introduction through the senses / | E821/1157/NEU Neuroscience and media : new understandings and representations / | E821/1159/ROD Elegy for theory | E821/1160/NAN Cognitive media theory / |
Obsahuje bibliografii, bibliografické odkazy a rejstřík
What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology.
This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.
[routledge.com]
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