A crack-up at the race riots / Harmony Korine
Typ materiálu: TextVydavatel: Chicago : Drag City, [2013]Datum copyrightu: ©2013Vydání: First Drag City editionPopis: 172 stran : fotografieTyp obsahu:- text
- bez média
- svazek
- 9781937112103
Typ jednotky | Aktuální knihovna | Signatura | Stav | Půjčeno do | Čárový kód | |
---|---|---|---|---|---|---|
Kniha | Centrum dokumentárního filmu Cizojazyčné publikace E821 | E821/1200/KOR (Prohlédnout regál(Otevře se níže)) | Dostupné | E821/1200/KOR |
Procházení Centrum dokumentárního filmu regálů, Shelving location: Cizojazyčné publikace E821 Ukončit prohlížení regálu (Ukončí prohlížení regálu)
E821/1196/HOO Plague years : a life in underground movies / | E821/1197/KOR The collected fanzines / | E821/1198/LOB Shadow economies of cinema : mapping informal film distribution / | E821/1200/KOR A crack-up at the race riots / | E821/1201/MCC The citizen machine : governing by television in 1950s America / | E821/123/GLO Dokument filmowy epoki Havla / | E821/1254/WHE Robert Capa : the definitive collection / |
Originally published by Mainstreet/Doubleday in 1998, this debut novel from an underground filmmaker uses print, photographs, drawings, news clippings, handwriting, a poem, attempted diagrams, and clip art to enhance the text, which primarily tells of a race war that happens in Florida, where the Jewish people sit in trees, the black people are run by MC Hammer, and the white people are run by Vanilla Ice. Or as the author himself described it front of a national television audience, "I wanted to write the Great American Choose-Your-Own-Adventure Novel." In actuality, it is a collection of hard-luck stories, off-and-on-color jokes, script scraps, found letters, free rhymes, drug flashbacks, and other missing scenes, all exploring the world of show business with fingers prying in the cracks and feet set lightly in the black humors of the real world. With chapters about books found in Monty Clift's basement and Tupac Shakur's 10 favorite novels, and a set of 11 suicide notes with room included for the reader's signature, the book is a one-of-a-kind post-postmodern examination of the dangers of public life from a unique voice in independent culture, one that might make William S. Burroughs sigh and turn the page at least.
[amazon.com]
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