Hollywood vault : film libraries before home video / Eric Hoyt.
Typ materiálu: TextVydavatel: Berkeley : University of California Press, [2014]Popis: xiv, 272 pages : illustrations ; 23 cmTyp obsahu:- text
- unmediated
- volume
- 9780520282636 (cloth : alk. paper)
- 9780520282643 (pbk. : alk. paper)
- 384.840973 23
- PN1995.9.D57 H69 2014
- Also issued online.
Typ jednotky | Aktuální knihovna | Signatura | Stav | Půjčeno do | Čárový kód | |
---|---|---|---|---|---|---|
Kniha | Centrum dokumentárního filmu Cizojazyčné publikace E821 | E821/1392/HOY (Prohlédnout regál(Otevře se níže)) | Dostupné | E821/1392/HOY |
Procházení Centrum dokumentárního filmu regálů, Shelving location: Cizojazyčné publikace E821 Ukončit prohlížení regálu (Ukončí prohlížení regálu)
E821/1336/HAN Visegrad cinema : points of contact from the New Waves to the present / | E821/1366/DRU Projecting Canada government policy and documentary film at the National Film Board of Canada / | E821/1391/BAZ Andre Bazin's new media / | E821/1392/HOY Hollywood vault : film libraries before home video / | E821/1393/NAS New documentary ecologies : emerging platforms, practices and discourses / | E821/1395/KED Przewodnik dokumentalisty : podstawy warsztatu : skrypt / | E821/1396/COW Recording reality, desiring the real |
Includes bibliographical references (pages 247-258) and index.
Hollywood Vault is the story of how the business of film libraries emerged and evolved, spanning the silent era to the sale of feature libraries to television. Eric Hoyt argues that film libraries became valuable not because of the introduction of new technologies but because of the emergence and growth of new markets, and suggests that studying the history of film libraries leads to insights about their role in the contemporary digital marketplace.
The history begins in the mid-1910s, when the star system and other developments enabled a market for old films that featured current stars. After the transition to films with sound, the reissue market declined but the studios used their libraries for the production of remakes and other derivatives. The turning point in the history of studio libraries occurred during the mid to late 1940s, when changes in American culture and an industry-wide recession convinced the studios to employ their libraries as profit centers through the use of theatrical reissues. In the 1950s, intermediary distributors used the growing market of television to harness libraries aggressively as foundations for cross-media expansion, a trend that continues today. By the late 1960s, the television marketplace and the exploitation of film libraries became so lucrative that they prompted conglomerates to acquire the studios.
The first book to discuss film libraries as an important and often underestimated part of Hollywood history, Hollywood Vault presents a fascinating trajectory that incorporates cultural, legal, and industrial history.
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Also issued online.
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