The cinema of poetry / P. Adams Sitney.
Typ materiálu: TextVydavatel: New York : Oxford University Press, [2015]Popis: xii, 276 pages : illustrations ; 25 cmTyp obsahu:- text
- unmediated
- volume
- 9780199337026 (hardcover) :
- 9780199337033 (pbk.) :
- 791.436 23
- PN1995.9.E96 S48 2015
Typ jednotky | Aktuální knihovna | Signatura | Stav | Půjčeno do | Čárový kód | |
---|---|---|---|---|---|---|
Kniha | Centrum dokumentárního filmu Cizojazyčné publikace E821 | E821/2094/SIT (Prohlédnout regál(Otevře se níže)) | Dostupné | E821/2094/SIT |
Procházení Centrum dokumentárního filmu regálů, Shelving location: Cizojazyčné publikace E821 Ukončit prohlížení regálu (Ukončí prohlížení regálu)
E821/2091/PAN Farocki/Godard : film as theory / | E821/2092/BÉN The cinema of Agnès Varda : resistance and eclecticism / | E821/2093/HOR Kulturfilm im "Dritten Reich" / | E821/2094/SIT The cinema of poetry / | E821/2095/BRI The forms of the affects / | E821/2096/SON On photography / | E821/2097/BOG Deleuze on cinema / |
Formerly CIP. Uk
Includes bibliographical references (pages 257-270) and index.
Introduction: An autobiography of enthusiasms -- Part 1. Poetry and the narrative cinema in Europe -- Pier Paolo Pasolini and "the cinema of 'poetry'" -- Dimitri Kirsanoff's Ménilmontant -- Ingmar Bergman's Primal scene -- Andrey Tarkovsky's concept of poetry -- Part 2. Poetry and the American avant-garde cinema -- The dialectic of experience in Joseph Cornell's films -- Lawrence Jordan's Magical instructions -- Stan Brakhage's poetics -- 8 Nathaniel Dorsky, Jerome Hiler, and the polyvalent film -- Gregory J. Markopoulos and the Temenos.
Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan,
Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes St phane Mallarm , Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avantgarde. [zdroj: goodreads.com]
Zatím nikdo nekomentoval.