Podrobnosti MARC
000 -LEADER |
kontrolní pole pevné délky |
03518cam a2200361 i 4500 |
001 - ŘÍDÍCÍ ČÍSLO |
kontrolní pole |
18206970 |
003 - CONTROL NUMBER IDENTIFIER |
kontrolní pole |
OSt |
005 - DATUM A ČAS POSLEDNÍHO ZPRACOVÁNÍ |
kontrolní pole |
20230517170543.0 |
008 - SPECIFIKACE PRO KNIHY A POKRAČUJÍCÍ ZDROJE |
kontrolní pole pevné délky |
140630s2015 nyua b 001 0 eng |
010 ## - KONTROLNÍ ČÍSLO KONGRESOVÉ KNIHOVNY |
Kontrolní číslo Kongresové knihovny |
2014016641 |
020 ## - MEZINÁRODNÍ STANDARDNÍ ČÍSLO KNIHY (ISBN) |
ISBN |
9780231157681 (cloth : acidfree paper) |
020 ## - MEZINÁRODNÍ STANDARDNÍ ČÍSLO KNIHY (ISBN) |
ISBN |
9780231157698 (pbk. : acidfree paper) |
020 ## - MEZINÁRODNÍ STANDARDNÍ ČÍSLO KNIHY (ISBN) |
Zrušené/chybné ISBN |
9780231538350 (ebook) |
040 ## - CATALOGING SOURCE (Původ katalogizace) |
Agentura zajišťující původní katalogizaci |
DLC |
Jazyk katalogizace |
eng |
Agentura převádějící záznam do strojem čitelné podoby |
DLC |
Použitá pravidla popisu |
rda |
Agentura, která záznam modifikovala |
DLC |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1995 |
Číslo dokumentu |
.Y275 2015 |
082 00 - DEWEYHO DESETINNÉ TŘÍDĚNÍ |
Classification number |
791.4301 |
Vydání |
23 |
100 1# - HLAVNI ZÁHLAVÍ - OSOBNÍ JMÉNO |
Osobní jméno |
Yacavone, Daniel. |
245 10 - ÚDAJE O NÁZVU |
Název |
Film worlds : |
Další údaje o názvu |
a philosophical aesthetics of cinema / |
Údaje o odpovědnosti |
Daniel Yacavone. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Columbia University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2015] |
300 ## - FYZICKÝ POPIS |
Rozsah |
xxv, 311 pages : |
Další fyzické údaje |
illustrations ; |
Rozměry |
24 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Zdroj |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Zdroj |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Zdroj |
rdacarrier |
504 ## - POZNÁMKA O BIBLIOGRAFII, ATD. |
Bibliography, etc. note |
Includes bibliographical references (pages 287-297) and index. |
505 0# - FORMALIZOVANÁ POZNÁMKA K OBSAHU |
Text formalizované poznámky |
Introduction -- Films and worlds. Worlds within worlds: fictions, narrative, and aesthetic enclosure -- Worlds of symbols. The framework of worlds: symbolization, meaning, and art -- Filmmaking as symbolic transformation -- Ways of cinematic world-making -- representation, exemplification and reflexivity: an alternative approach to the symbolic dimension of cinematic art -- Worlds of feeling. Forms of feeling: mapping affect and emotions in films -- Cineaesthetic world-feeling and immersion -- Worlds of truth. Toward an existential hermeneutics of film worlds. |
520 ## - ABSTRAKT, ATD. |
Text poznámky |
Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions.<br/><br/>Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.<br/>[amazon.com] |
650 #0 - VEDLEJŠÍ VĚCNÉ ZÁHLAVÍ - VĚCNÉ TÉMA |
Topical term or geographic name entry element |
Motion pictures |
Všeobecné zpřesnění |
Aesthetics. |
650 #0 - VEDLEJŠÍ VĚCNÉ ZÁHLAVÍ - VĚCNÉ TÉMA |
Topical term or geographic name entry element |
Motion pictures |
Všeobecné zpřesnění |
Philosophy. |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
orignew |
d |
1 |
e |
ecip |
f |
20 |
g |
y-gencatlg |
942 ## - PŘIDANÉ VEDLEJŠÍ ZÁHLAVÍ (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Kniha |
Suppress in OPAC |
No |