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Dying in full detail : mortality and digital documentary / Jennifer Malkowski.

Podle: Přispěvatel(é): Typ materiálu: TextTextVydavatel: Durham, [North Carolina] ; London, [England] : Duke University Press, 2017Datum copyrightu: 2017Popis: 1 online zdroj (269 pages) : illustrations, photographsTyp obsahu:
  • text
Typ média:
  • počítač
Typ nosiče:
  • online zdroj
ISBN:
  • 9780822373414
Předmětová hesla: Žánr/Forma: Další fyzické formáty: Tištěná verze:: Dying in full detail : mortality and digital documentary.Souhrn: In Dying in Full Detail Jennifer Malkowski explores digital media's impact on one of documentary film's greatest taboos: the recording of death. Despite technological advances that allow for the easy creation and distribution of death footage, digital media often fail to live up to their promise to reveal the world in greater fidelity. Malkowski analyzes a wide range of death footage, from feature films about the terminally ill (Dying, Silverlake Life, Sick), to surreptitiously recorded suicides (The Bridge), to #BlackLivesMatter YouTube videos and their precursors. Contextualizing these recordings in the long history of attempts to capture the moment of death in American culture, Malkowski shows how digital media are unable to deliver death "in full detail," as its metaphysical truth remains beyond representation. Digital technology's capacity to record death does, however, provide the opportunity to politicize individual deaths through their representation. Exploring the relationships among technology, temporality, and the ethical and aesthetic debates about capturing death on video, Malkowski illuminates the key roles documentary death has played in twenty-first-century visual culture. [amazon.com]
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Typ jednotky Aktuální knihovna Signatura Stav Půjčeno do Čárový kód
Kniha Kniha Centrum dokumentárního filmu Cizojazyčné publikace E821 E821/1425/MAL (Prohlédnout regál(Otevře se níže)) Dostupné E821/1425/MAL

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In Dying in Full Detail Jennifer Malkowski explores digital media's impact on one of documentary film's greatest taboos: the recording of death. Despite technological advances that allow for the easy creation and distribution of death footage, digital media often fail to live up to their promise to reveal the world in greater fidelity. Malkowski analyzes a wide range of death footage, from feature films about the terminally ill (Dying, Silverlake Life, Sick), to surreptitiously recorded suicides (The Bridge), to #BlackLivesMatter YouTube videos and their precursors. Contextualizing these recordings in the long history of attempts to capture the moment of death in American culture, Malkowski shows how digital media are unable to deliver death "in full detail," as its metaphysical truth remains beyond representation. Digital technology's capacity to record death does, however, provide the opportunity to politicize individual deaths through their representation. Exploring the relationships among technology, temporality, and the ethical and aesthetic debates about capturing death on video, Malkowski illuminates the key roles documentary death has played in twenty-first-century visual culture.
[amazon.com]

Elektronická reprodukce. Ann Arbor, MI : ProQuest, 2016.

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